Marty K & The Electric Hurricanes Release New Single ‘Ride The Wave’

Ride The Wave is the second single from Marty K & The Electric Hurricanes. A haunting emotionally driven anthem for hope swirling with jangling, phased out guitars, thunderous drums and transporting listeners to the pulsing hypnotic realm of the deep blue.
The song is a collaboration with New Zealand singer songwriter Rosa Rico and finds the group exploring more complex melodic structures and emotive textures. Brooding with beauty and tension the 7 minute epic track is thick with powerful guitars, lush melodies & expressive lyrics.
The song is taken from the upcoming album which is due out in late 2022.
Marty K has toured Australia & New Zealand extensively in various bands. He has supported artists as varied as Dead Letter Circus, The Living End, Superjesus, Nathan Cavaleri & Juke Kartel. And via the festival circuit icons Aerosmith, Van Halen, Richie Ramone and Buckcherry among others.
Marty K & The Electric Hurricanes sees him collaborating with a variety of singers, songwriters and musicians to create a sonic storm swaggering with hypnotic rhythms.
His music has been showcased on Triple J & Triple M and has received both national & International airplay. The song When I Get You (Prod. Lindsay Gravina) was nominated for best rock song at The Australian Independent Music Awards and he also received a nomination for Best Live band at the inaugural Cherry Bar Awards. The single Night Is my Ally also peaked at #2 on the Triple J Unearthed charts in 2016.
‘This is a new beginning for me’ as Marty K & The Electric Hurricanes gears up to transport listeners to a hypnotic realm, creating music that has a swagger and cinematic scope to it: a gritty undertow that reflects the vicissitudes of life, with a hallucinogenic vibrancy. [Backseat Mafia]
His first single Rattle Snakes & Bones is a bright and stunning glimpse into Marty K & The Electric Hurricanes electrifying new chapter, pooling his past experiences and influences into a cocktail of psychedelic and emotionally extracting sounds and heavy payoffs. [Beat Magazine]






