EP Review: Low

ISLA

Review by Danica Bryant // 21 September 2023
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As the winter smog begins to lift over Aotearoa, Auckland singer-songwriter ISLA releases her ode to seasonal depression, Low. This is an EP of smooth, delicate dream-folk, from an independent artist backed by her “band of sisters” clearly deeply impassioned by the music just as their frontman is.

The sleepy opening track Such A Shame introduces all the cornerstones of the Low project. Light acoustic guitars, winding vocal melodies and string flourishes flesh out the song over its gentle four-minute runtime, adding dynamics without ever making the song feel overbearing. The instrumental break in the bridge section is particularly expressive. Relaxed drums grounding this section craft a relaxed feel that juxtaposes the pessimistic lyricism in an increasingly interesting way.

Title track Low is spooky and strange, sparse in its production in order to curate the creeping, dull sensation of depression through music. ISLA wails wordless melodies, speaking to pain without actually saying a word. It’s brief, but brutal. This same energy is echoed on closer Overthinking, developing these themes into wider, more expansive instrumentals that soar through the longer runtime. The piano-led Better combines shuddering dark instrumentals with dreamy vocals, operating again in contrast that allows the song to unveil more meaning in its lyrics with each listen.

Standout song Mustard Skies tackles “climate anxiety” in heartbreakingly honest fashion, imagining a world deteriorating into an apocalypse that feels all too plausible today. “They took it all, it was never enough”, she sighs, noting the detached resignation many of us also feel towards the topic. Certain lines feel reminiscent of Matt Maltese’s cult classic track ‘Til The World Caves In, but this inspiration is blended subtly into the otherwise unique tune.

Although its themes are as “low” as the EP’s title would suggest, the cozy folk style of ISLA’s music makes her lyrical material all the more palatable and relatable. Low is a gorgeous collection with a message to share, and a feeling to draw its listeners into, thriving in its intentional sense of discomfort, then release.

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About the author Danica Bryant

Danica Bryant is a force to be reckoned with. A pop-folk singer-songwriter with a gritty rock-edge, her music tackles provocative themes from celebrity culture to neurodiversity through an unabashedly queer feminist lens. She is also a skilled music and pop culture journalist, building a following of over 20,000 on her TikTok dissecting pop music, and writing for major publications like Universal, Audioculture and The Spinoff. Her “playful indie pop” (Rolling Stone) has seen her open for legends like Elton John and Robbie Williams, hit #2 on the NZ Hot Singles Chart with her 2024 release ‘Acid’, and undergo mentorship with Kiwi icon Bic Runga. Often performing alongside her three-piece not-a-girl-band, Bryant has undergone multiple successful New Zealand tours and played festivals including Electric Avenue and Cuba Dupa. With her 2025 debut album ‘Feast’, Bryant is  “venomous yet passionate” (Ambient Light),  “cynical but emotional” (NZ Musician), and an unapologetically fresh voice

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