EP Review: Variance

Vox Capacitor

Review by Peter K Malthus // 7 August 2023
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Ep Review: Variance 1

Variance is the promised follow-up to the Hindsight EP from Auckland-based solo artist Vox Capacitor.

Solo in the truest sense: everything is created, performed, produced, engineered, and mixed by Vox Capacitor (aka Steve McBride) himself. Vox Capacitor draws inspiration from artists such as Prince, Foo Fighters, and Tame Impala among others in creating his “jangly dad rock/indie guitar pop” sound, and the five tracks on Variance certainly fit nicely within the pop/rock description. 

I’m one to have a wee geek-out over guitar tones, so this was a thoroughly enjoyable listen all the way through. A lovely resonator-style tone underpins the lightly driven riff of first track Feed The Hand That Bites You, a song which seems to be a warning about the dangers of being careless with online information. Following that is Delta, which sounds like the glorious deep tones of a Bass VI if I’m not mistaken. What I especially like about Delta is the way the instruments are down-tuned and driven without sounding “heavy” per se, but more creating a large, full, and powerful sound.

Listing is the next track, and my favourite. A beautifully mournful track, musically floating and light, but lyrically speaking of loss and sadness, with the chorus “Listing, unable to stay upright, Listing, wound up so very tight, Listing, you set my world alight, Listing… everything’s not going to be alright”. Simultaneously haunting, and sweet. Blinding Lights is definitely very much more in the “pop” category than the other tracks, and yet musically the most complex of the EP, with some absolutely gorgeous chord progressions in both the verses and chorus, and a superb vocal melody.

The last track is Rectangle, which I have previously reviewed as a single here. As I noted in that review, I would have liked to have heard the vocals slightly higher in the mix. I felt the same on both Delta and Blinding Lights. Overall, I have to say I really like the production on Variance, all of the instruments are recorded and reproduced beautifully, with a more “rock” than “pop” sensibility given to the mixing of the EP as a whole. I just struggled to make out some of the vocal parts on those three tracks, even when listening with earbuds. I quite like Vox Capacitor’s voice, I thinks it’s an excellent match for the songs he writes, I’d just like to hear it a little more.

I’ve enjoyed listening to this EP and will continue to do so, I hope you’ll feel inclined to give it a nudge too. Vox Capacitor is planning to release a full album in the near future, I’m looking forward to it. 

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About the author Peter K Malthus

Passionate music lover from the south, based in Otautahi Christchurch. Writes, sings, and plays guitar in Finger Of Contempt, and Quordlepleen. Plays bass and sings in PistolGrip, and plays bass in Mudbelly. In my spare time, I am mildly obsessed with plants and gardening. I love spending time with my kids. I love board games, and flying kites, and riding bikes, and food. I really like good coffee, a lot. I’m rarely satisfied with my pedalboard.

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