Daniel Hayles is a piano and keyboard player, performing regularly in a variety of styles and settings. He also writes and arranges music for local and international artists, bands and shows.
His album, Other Futures, is constructed around improvised bursts of piano, with puffs of synth and percussion, pulsing bass, held together by sample-based beats born in the golden era of hip-hop.
Other Futures is an excellent accompaniment to a video game session and plays like “lo-fi hip-hop beats to study to” with the addition of a friendly ghost improvising over it. The room quality of the piano fits with the beats in a way that feels like you’re a child playing in the doorway of your aunt’s kitchen that uses plastic tassels instead of a door and she’s got the turntable on in the other room but the incense smoke is starting to drift towards you.
The album is fit to accompany any puzzling, reading or coffee imbibing activity. In particular, songs like Puffs and Jabs, Neo Dela Piano and The Discount have a “sunny bay window seat” quality to them.
There’s a couple of moments where the agreeable tone of the music forces you to look up from your book and take active notice; the title track Other Futures has a distinct limp that refuses to be relegated to background music. A couple of songs like Nyagashiru have bass note stabs that have a similar gait. The end of Herbaceous has a meaty synth outro that sounds like cancer being burned out of your retinas. Some songs have slight discolourations and odd quirks.
The Coder and Echo Dance Part 1 in particular both sound like an old, detuned TV would look, with hues sitting just outside the normal sphere in a conspicuous way. Like purple skin, yellow jumpsuits and cyan grass.
A standout track for me was Samba, which, given the warble and the context of the other tracks, felt like the “please stand by” music accompanying technical difficulties in a public access TV channel.
My favourite track was Choir Jam. It’s pensive and anxious, but emotionally balanced. It felt like it moved me from one headspace to another over the course of the song. Choir Jam had a poise and presence that I really enjoyed and felt in my guts.
It’s been a fun ride getting to know these songs. Hayles has his fingers in a lot of pies, so you can check out other stuff he’s been involved with at danielhayles.com and dip your toe into his world.
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About the author Callum Wagstaff
He’s frail, like a buttercup, but he’s not happy about it. Bittercup is the personal catharsis machine of Callum Wagstaff. He hates himself and has found people enjoy the fruits of his shameful confessions, related in sweet serenades, intense outbursts and rarely anything in between. Bittercup (Wagstaff) started out fronting a band of the same name in 2015 before ailing health and renal dialysis forced him to give it up. Despite that he continued to write music and work the New Plymouth scene as regularly as he could in local cover bands Dodgy Jack (drums), The Feelgood Beatdown (Guitar) and Shed: The Tool Tribute (Vocals). In late 2018 in a freak accident he was granted super kidney powers which allowed him to refocus himself on the Bittercup concept, releasing an official Debut EP: “Negative Space” on May 3rd 2019. Negative Space was described by Happy Mag as “a bleak but
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