EP Review: Serious Happiness

Serious Happiness

Review by Paul Goddard // 22 February 2020
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Ep Review: Serious Happiness 1

The ocean is amazing. Just about everyone in New Zealand has a connection with it. It can calm and sooth, it can be a scary as fuck. It also throws up gems everyday (along with its fair share of plastic jandals)

New Plymouth has a rocky shoreline but just as the sea pummels the rocks into shiny treasures, it has also thrown up another gem.

Serious Happiness have been shaped by Taranaki and they also shine.

When I read that name I hated it. Like seriously what the fuck? Then I heard the music on this debut EP and it all made sense

The four songs on the Serious Happiness EP twist and turn through a maelstrom of indie cool, punk ethics, soulful funk and garage D.I.Y. It doesn’t sound like it was created in the ‘Naki - this is the sound of a group of people wanting to escape. A group of people who want to create something that the world can hold and admire. Something new and shiny. Something to smile about.

This EP is a statement of intent. It ticks all the boxes whilst also asking “do you love us?”

There is a sense of the need to be accepted in its crossing of genres but there is enough attitude seeping through to give a big fuck you if you don’t like it

I know I am not giving you much indication of what this EP sounds like.

I don’t want to

Just buy it and find out for yourself. Discover what Taranaki has thrown up. Love it or hate it Serious Happiness are seriously talented and they’re here to stay.

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About the author Paul Goddard

UK-based music fan and singer who used to live in NZ and was the vocalist with NZ-based band Garden Party Riot. His love of music led Paul to own his rehearsal studio in the UK and NZ, managing and promoting bands and putting on gigs. Paul has recently launched his Music Saves merchandise brand, with split profits going to the Music Venue Trust, which supports grassroots venues in New Zealand, Australia, the UK, and the USA. Paul continues to attend numerous gigs in the UK and also writes for the Oxford-based Nightshift Fanzine.

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