EP Review: …Again

Royal Jackets

Review by Paul Goddard // 9 September 2019
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Music should never fit in a box.

It should refuse to be pigeon-holed. The best/most creative music is usually slightly bonkers.

It is twisted and defies logic but also connects. Royal Jackets new EP …Again is certainly bonkers.

The jazz-rock insanity of Alan I’m bored gives an insight into the lyrical minefield that inhabits Jono Ashwell’s wonderfully off-kilter mind. There is a very retro Brit-rock feel to many of the songs on here.

Jono is a storyteller in the vein of Ray Davies (The Kinks) but with the kind of madness that Pete Doherty (The Libertines) also uses to great effect. Royal Jackets aren’t some nostalgic retro wannabe tribute act though.

Each song has its own unique identity. With three members of the band being session musician royalty and a singer who also studied music, there was a real danger of this EP being a wank fest of earnest riffery and endless drum solos but luckily Royal Jackets know when less = more.

What I am missing on this collection of songs though is the connection. That unexplainable buzz that makes me want to play a song over and over again. I can appreciate the creativity and musicianship of Royal Jackets but I can also take it or leave it.

The standout track for me is the melancholic No Luck. The most simple structure, simple melodies and a story told and delivered with flair and panache (first time I have ever used that word in a review)

The best music doesn’t fit in a box. It can’t be pigeon-holed and leaves you breathless and wanting more.

Royal Jackets tick two of those three boxes for me show check em out and they may become your new favourite band.

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About the author Paul Goddard

UK-based music fan and singer who used to live in NZ and was the vocalist with NZ-based band Garden Party Riot. His love of music led Paul to own his rehearsal studio in the UK and NZ, managing and promoting bands and putting on gigs. Paul has recently launched his Music Saves merchandise brand, with split profits going to the Music Venue Trust, which supports grassroots venues in New Zealand, Australia, the UK, and the USA. Paul continues to attend numerous gigs in the UK and also writes for the Oxford-based Nightshift Fanzine.

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