Album Review: Gold

Review by Danica Bryant // 26 July 2023
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Album Review: Gold 1

AJSCeleste Music may be a totally unique creator in the Aotearoa music scene. An extremely experimental songwriter crafting material from her home studio, her quirky blend of almost spoken-word lyricism and kaleidoscopic sounds fills a very specific niche. Whilst I can’t promise its appeal to be widespread, there will surely be some who can appreciate this inventive mind.

Gold is a seven-track album of techno and synth pop beats. Bright keys and sound effects underscore each song. On Suspension and Momentum, a flurry of keyboard noises fill the track, from fizzing risers to distorted bass, whilst Success Success melds beachy percussion and guitars to the overall album’s spacey approach.

The songs bear lyrical promise, from a simple and sincere surrender to love on the opening track, to the ode to beautiful summers and romances on Sunrise Sunset. Across the board, AJSCeleste Music moves from dialogue-style performances to occasional unsettling whispers and birdlike calls. She speaks the language of self-healing, giving the record some thematic consistency.

However, Gold‘s main battle is that its vocal melodies rarely match its instrumentals. Whilst each section works on its own, together the contradicting rhythms and keys can be harsh to the ear. If this is an intentional choice, AJSCeleste Music has accomplished a very specific vision, but it mostly suggests the album needs some polishing, and perhaps collaboration from a wider variety of musicians to expand and improve.

Gold is best summarised by the lyric “do the polarity dance”. It’s frequently contradictory, both complex yet simple, overwhelming yet underbaked. But it’s a testament to the fact New Zealand music offers something for everyone, and respect is certainly earned for AJSCeleste Music’s commitment to the craft.

About the author Danica Bryant

Danica Bryant is a force to be reckoned with. A pop-folk singer-songwriter with a gritty rock-edge, her music tackles provocative themes from celebrity culture to neurodiversity through an unabashedly queer feminist lens. She is also a skilled music and pop culture journalist, building a following of over 20,000 on her TikTok dissecting pop music, and writing for major publications like Universal, Audioculture and The Spinoff. Her “playful indie pop” (Rolling Stone) has seen her open for legends like Elton John and Robbie Williams, hit #2 on the NZ Hot Singles Chart with her 2024 release ‘Acid’, and undergo mentorship with Kiwi icon Bic Runga. Often performing alongside Tyler Blythe and Nat Bennett as a three-piece not-a-girl-band, Bryant has undergone multiple successful New Zealand tours and played festivals including Gardens Magic, Outfield and Cuba Dupa. With her upcoming debut album expected this winter, Bryant is  “venomous yet passionate” (Ambient Light),  “cynical

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