The New Telepathics’ latest release, wishfully entitled The End of War, explores an amalgamation of Soul, Jazz, Trip Hop, Techno Funk and Calypso genres with inspiring lyrics and tight rhythms sure to get the crowd amped and on the dance floor.
Driving bass lines and pared-back drums are sometimes interspersed with unusual sequences and effects that give an edgy disjointed vibe. Most of the time this works well but on extensive tracks like Don’t Run Away and We Are Free Intergalactic more variation is required. It would be great if the band increased space and broke into some chorus-like cohesion to combine their varied styles more often.
The warm atmosphere and structured composition of Monochrome makes it one of the stand-outs. A cleaner mix could increase the commercial viability of this song. The freeform nature and rapping in Central Station and brass section in Never Know are also highly effective. There’s something wonderfully soulful about the vocal delivery and rhythm structure in these tracks that really resonates.
Uplifting lyrics sung in Te Reo, French, Setswana, Igbo and English, at the forefront of the mix, showcases the bands diverse origins. The From Scratch influence and percussive flare of frontman and multi-instrumentalist Darryn Harkness is also a guiding force throughout, but primarily the New Telepathics forge a fresh musical path on this highly original twelve-track album. This makes The End of War a very worthwhile addition to your music collection.
★★★ (3 stars)
Review written by River Tucker
About the author River Tucker

Hi, My name is River, and I’m a music tutor, multi-instrumentalist (mainly playing drums), and freelance graphic and web designer from Aotearoa, New Zealand. Over the years I’ve worked in numerous bands playing styles ranging from jazz and ska to grunge and metal. I’ve also recorded and self-produced a number of releases consisting of original compositions. This experience, along with an inherent appreciation of music, has helped with my ability to review music for Muzic.NZ. The landscape of our music scene in New Zealand is rich with potential, yet often overshadowed by underutilized talent waiting to be discovered. As a reviewer, I’ve enjoyed the opportunity to highlight some of these emerging voices, which has provided me with an appreciation of the diverse musical tapestry that Aotearoa has to offer. Writing reviews is my way of promoting some of that musical talent to a local and international audience. By inspiring the
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