‘Degrees Of Existence’ album review

Originally created by Straightjacket Fits’ songwriter Shayne Carter, the Dimmer crew have made quite the name for themselves since forming in 1994. In their fifteen years of being they’ve released an outstanding collection of successful albums which has undoubtedly put the band up there with the likes of well respected kiwi icons, Shihad.

Returning from their live tour around the U.S and Australia in 2008, the group sat down to craft their latest release, Degrees Of Existence. I consider the album to be a turning point for the band, who set out to make a record with the same feel that they produce on stage. It’s not live and rough by any means but they have certainly captured that unique essence that is Dimmer.

Every touch of this album has been precisely planned out which is made obvious right from the moment you pick it up. Even the cover art has been carefully chosen to reflect the music. It’s dark and eerie and proves the amount of effort they have gone to, to make this album a real milestone in their career.

The first track titled Degrees Of Existence shows off exactly what the band is trying to convey with a magical touch that has that distinct New Zealand feel. If you can’t hear that then you’re an idiot, and I suggest you go back and listen again. While you’re doing that I want you to recognise the slight similarities between this track and the tunes produced by Auckland lads, The Tutts.

They’re not all like this mind you and the next song – Nowhere I Want makes sure of this. It’s got wicked drum beats to capture the imagination and makes me yearn to see them perform it live. Comfortable is beautiful and was the exact point in this album that convinced me I’m not just a listener, but a lover of their fine musical talents. Carter’s vocals are to die for. I’m in love.

Can’t Cut Through and Too Far Gone To Care are fresh and an easy listen while Dark Night Of Yourself is a little gloomy, with music reminding me a tiny bit of Massive Attack’s hit – Teardrop. Wrong Bus follows which provides a perfect transition through to Bless. It’s mostly instrumental with a few haunting sounds from front-man Shayne Carter towards the end.

Final track on this album, titled What Would I Do.. takes on a slow rhythm with soft vocals which will have you in an underground bar watching the group in an instant. People surrounding you swaying side to side perfectly in touch with the music… These guys have clearly put all of their efforts into producing their pieces for this effect and it has worked tremendously.

Amanda Ratcliffe