There’s certainly plenty of good sounds coming out of New Zealand at the moment and the ‘Ecstasy’s Not Life’ seven track EP by Oxboy is no exception to the rule.
Released by Hit Your Head Music and recorded over three days by Alec Withers (Devil’s Elbow, Tempo 38, Angel Hammer, Servo) and mastered by Ian G. Morris (Th’ Dudes, Dave Dobbyn and When the Cats Away) the band is reported as being stoked with the result and truly the production quality can’t be faulted. With just the right amount of harshness for this type of release, these tracks will get your head banging until your neck breaks.
The fourth song entitled Disconnect is my favourite. Slowly building an impenetrable wall of sound and with quieter moments to give room to the vocals, it soon locks it up with unrelenting powerful riffs and driving drums that bring the house down. What’s that you say? I can’t hear you co’s the music’s too loud.
There’s a drinking theme throughout, which hits on the f u mentality of punk rock music. Driven by phat guitars, kick arse drumbeats and bass-lines to blow your mind, this debut release is intense! Sounding a bit like Rage Against the Machine crossed with Sommerset, Dirty Rotten Imbeciles or Bad Religion; Oxboy who hail from Hawkes Bay hit you hard right up the cranium with moshing musical madness.
Some social commentary particularly with the fifth track If I Was… continues the hardcore in your face attitude. Kind of Americanised spoken vox doesn’t always work for me but there’s no lack of punk rock attitude portrayed with the style. Overall a sterling performance captured in all its rawness.
‘Ecstasy’s Not Life’ is well worth a listen.
About the author River Tucker

Hi, My name is River, and I’m a music tutor, multi-instrumentalist (mainly playing drums), and freelance graphic and web designer from Aotearoa, New Zealand. Over the years I’ve worked in numerous bands playing styles ranging from jazz and ska to grunge and metal. I’ve also recorded and self-produced a number of releases consisting of original compositions. This experience, along with an inherent appreciation of music, has helped with my ability to review music for Muzic.NZ. The landscape of our music scene in New Zealand is rich with potential, yet often overshadowed by underutilized talent waiting to be discovered. As a reviewer, I’ve enjoyed the opportunity to highlight some of these emerging voices, which has provided me with an appreciation of the diverse musical tapestry that Aotearoa has to offer. Writing reviews is my way of promoting some of that musical talent to a local and international audience. By inspiring the
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