Nelson creator Sylvee’s sophomore EP Downpour is a shimmering study of the artist behind each hook. A thematic exploration of the phrase “sink or swim”, it’s a dark pop extravaganza amongst the country’s absolute best.
The sharp, metallic opener Time For The Girls positively shudders under the weight of its clicking percussion, eerie melodies and fierce guitars. Introducing listeners to the EP’s sound, every single element is pop perfection, layered, reverbed and mixed to the high heavens. Lyrically, it’s a menacing number warning men who abuse their power of the modern feminist revolution. Each line is snappy, sinister and quick to the point.
It’s followed by the dreamy ballads Slow and Honey. Both tracks are again brilliantly polished. They emphasise Sylvee’s voice well, which is lower yet equally lighter than many others in the genre and thus makes her immediately recognisable. Older single Retrograde World then picks up the pace, a song written at APRA’s Songhubs in 2020 and offering up an exciting guest verse from Hawkes’ Bay rapper Lucid Heist.
The heavy distortion kicking off Don’t Say A Word is perhaps the EP’s most thrilling moment. This song, like Time For The Girls, proves Sylvee shines the brightest when her production blends aggression and intensity with a deceptively sweet vocal. “You say enough when you don’t say a word”, she snarls, latching onto a position of power her performance absolutely makes her deserving of.
Finally, closer I’m Fine drenches itself in vocoder to give some edge to the collection’s most vulnerable song. A complex track simultaneously about beginnings and endings, it’s an effectively dramatic finale.
Downpour is an impressively polished release from a Kiwi artist who absolutely demands her presence on your radar. There’s little to criticise about this beautiful EP, other than the fact it ends, and isn’t it such an effort to reach over and press replay?
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About the author Danica Bryant

Danica Bryant is a force to be reckoned with. A pop-folk singer-songwriter with a gritty rock edge, her music tackles provocative themes from celebrity culture to neurodiversity through an unabashedly queer feminist lens. She is also a skilled music and pop culture journalist, building a following of over 20,000 on her TikTok dissecting pop music, and writing for major publications like Universal, Audioculture and The Spinoff. Her “playful indie pop” (Rolling Stone) has seen her open for legends like Elton John and Robbie Williams, hit #2 on the NZ Hot Singles Chart with her 2024 release ‘Acid’, and undergo mentorship with Kiwi icon Bic Runga. Often performing alongside her three-piece not-a-girl-band, Bryant has undergone multiple successful New Zealand tours and played festivals including Electric Avenue and Cuba Dupa. With her 2025 debut album ‘Feast’, Bryant is “venomous yet passionate” (Ambient Light), “cynical but emotional” (NZ Musician), and an unapologetically fresh
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