Brown Sugar Factory’s latest EP Halina’t Sumayaw is an incomparable blend of funk, house, pop and dancehall, boasting the diverse musical backgrounds of producer Reid Ulberg and singer-songwriter Roberto Jatulan.
Opening to silky vocal adlibs and gentle rain, Til Next Saturday pulses under smooth guitar and incredible harmonies. On paper, the song changes so much it should lose its way, but it does quite the opposite, constantly switching up without ever losing its unmistakable energy. Harana Sosa toys with elements of the nostalgic disco pop currently taking over the airwaves, but infuses it with a healthy dose of funky bass. The sweeping chorus melody feels like a breath of fresh air amongst the rest of the song’s inspired, busy instrumentals. When it finds its way to the chanted bridge, it’s impossible not to picture yourself in the heat of a summer festival mosh pit, singing along to the talents of Brown Sugar Factory.
Halina’t Sumayaw offers a brief moment of slow vocals at the start of Funkfessions Pt. 1 before tumbling into another incredibly strong dance vibe. Roll It quickly follows, showcasing enthusiastic, often gritty vocals over its relentless beat. Its spoken-word bridge particularly stands out, bringing some of Brown Sugar Factory’s clear electricity in a live format to the studio.
Perhaps the only notable criticism for this collection of songs is that somewhere amongst these third and fourth tracks, there could have been more diversion from the consistent dancefloor pace. Closing track Paraiso does, however, urge listeners to “slow down”, as it pulls attention away from the singing and instead focuses on sultry electric guitar, clean keys and interesting lo-fi effects.
Across the board, Halina’t Sumayaw’s production quality stands with the best. It’s well-mixed, carefully shining a light on every featured instrument, whilst maintaining an ever-danceable groove. It’s clear Brown Sugar Factory have immense knowledge on how to make every element of a song work to their advantage. Moreover, the beautiful purple-hued cover art perfectly represents the EP’s earthly, relaxed aura, summarising the collection well.
Undeniably, Halina’t Sumayaw is an inventive, highly polished release, ideal for fans of pop, funk and house all willing to expand their horizons into the crossover genre. Brown Sugar Factory prove themselves a formidable force on the dance circuit with this impressive EP.
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About the author Danica Bryant

Danica Bryant is a force to be reckoned with. A pop-folk singer-songwriter with a gritty rock-edge, her music tackles provocative themes from celebrity culture to neurodiversity through an unabashedly queer feminist lens. She is also a skilled music and pop culture journalist, building a following of over 20,000 on her TikTok dissecting pop music, and writing for major publications like Universal, Audioculture and The Spinoff. Her “playful indie pop” (Rolling Stone) has seen her open for legends like Elton John and Robbie Williams, hit #2 on the NZ Hot Singles Chart with her 2024 release ‘Acid’, and undergo mentorship with Kiwi icon Bic Runga. Often performing alongside her three-piece not-a-girl-band, Bryant has undergone multiple successful New Zealand tours and played festivals including Electric Avenue and Cuba Dupa. With her 2025 debut album ‘Feast’, Bryant is “venomous yet passionate” (Ambient Light), “cynical but emotional” (NZ Musician), and an unapologetically fresh voice
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