One of my favourite past-times is ‘crate-digging’, rummaging through the bargain bins for those elusive good albums that sit within. One such day, several years ago, I came across Scalper’s first album Flesh and Bones. That CD, with its moody, trip-hop-esque beats and hypnotic grooves held steady in my CD player for a long time, but somehow I lost track of Scalper after that album. So, when I got the opportunity to review his latest EP — a collaboration with French “beatmaker”, producer, engineer, and bassist Cisco, I was immediately intrigued and anxiously excited.
Recorded in Morocco, the Tangiers Sessions EP is the result of the two collaborators blending the sounds, groove, and sensations of that city to the familiar, mature, intriguing, and cool underground/downbeat hip-hop that Scalper is known for. Unfortunately, I am unfamiliar with Cisco’s previous work, so can’t comment regarding whether his work on this EP is stylistically consistent with his other work, but I have assumed (rightly or wrongly) that some of these new elements are brought in from his vast repertoire as a producer / engineer / bassist.
The EP itself is an intriguing beast; while the whole EP consists of four individual tracks, they are arranged into two sets of two songs. The first set, entitled A Moroccan Night provides a kinetic soundtrack to nocturnal experiences as compared to the more relaxed, sun-drenched vibes of the second set, entitled A Day at the Medina. The distinctive vocal fingerprint style of Scalper provides continuity and familiarity with his previous work, however, rather than resting on his laurels and continuously doing what he does best, Scalper continues to experiment vocally – this time demonstrating his singing voice on a few melodies. Such experimentation keeps this collaborative EP fresh and interesting.
My personal favourite track, Be My Heaven, effortlessly combines traditional Moroccan sounds, minimalistic downbeat grooves, thunderously deep bass-tones, and a vocal delivery that nearly God-era Tricky would have been proud of.
Overall, an intriguing collaboration and one that serves as a progression of the artists’ individual work, as opposed to a mere diversion like most collaborations.
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About the author JamieDenton
Bass player for Auckland-based high energy rock band “Poison Skies”. Former bass player for Ishtar, Naquadah and Silas Greenback.
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