Single Review: Dirty Company

Boy Virgo

Review by Danica Bryant // 12 July 2021
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Single Review: Dirty Company 1

Hyperpop is a revolutionary genre, and with his latest single Dirty Company, Boy Virgo and collaborator Thayerperiod prove they understand its every element. Equally satirising, paying tribute to and experimenting with the vast array of conventions in popular music, Dirty Company is a bubbling, bright ode to gay desire, exploding with exciting electronic sounds. 

Citing greats such as Charli XCX and Slayyyter as influences, Boy Virgo sing-speaks snappy, simple melodies throughout the track, with a delivery also reminiscent of Gothy Kendoll and Dorian Electra. These vocals are steady and fast-paced, and could possibly benefit from further experimental filtering. However, their simplicity leaves room to emphasise Dirty Company‘s absolutely fizzing instrumental production.

Aesthetically, the cover art powerfully bends gender expectations, showcasing the masculine body within a  feminised pink world. This distinctively queer visual combines the digital aesthetics of its genre with the song’s open expression of gay desire. With a title like this, it’s unsurprising that the lyrics of Dirty Company are downright filthy. But they are exactly what the song calls for. The song is a refreshing, undiluted expression of gay sexual liberation. It is more honest than much of the music on the market right now, yet still approachable in its matter-of-fact declarations. Moreover, it retains enough self-awareness to stay humorous and serious all at once.

Aotearoa’s music scene is brimming with talent right now, but Boy Virgo stands out. Dirty Company is an accomplishment in the zaniness of hyperpop, securing Boy Virgo’s identity as a proud gay man, unafraid to create something truly unique.

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About the author Danica Bryant

Danica Bryant is a force to be reckoned with. A pop-folk singer-songwriter with a gritty rock-edge, her music tackles provocative themes from celebrity culture to neurodiversity through an unabashedly queer feminist lens. She is also a skilled music and pop culture journalist, building a following of over 20,000 on her TikTok dissecting pop music, and writing for major publications like Universal, Audioculture and The Spinoff. Her “playful indie pop” (Rolling Stone) has seen her open for legends like Elton John and Robbie Williams, hit #2 on the NZ Hot Singles Chart with her 2024 release ‘Acid’, and undergo mentorship with Kiwi icon Bic Runga. Often performing alongside her three-piece not-a-girl-band, Bryant has undergone multiple successful New Zealand tours and played festivals including Electric Avenue and Cuba Dupa. With her 2025 debut album ‘Feast’, Bryant is  “venomous yet passionate” (Ambient Light),  “cynical but emotional” (NZ Musician), and an unapologetically fresh voice

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