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Single Review: Hot Pink Paralysis

Holloway

Review by Paul Goddard // 19 December 2019
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Single Review: Hot Pink Paralysis 1

Pop and punk don’t mix.

Just put Simon Cowell in the same room as John Lydon (if you follow pop punk you might not know who that is, but your view of punk will be much better if you do) and ask them to discuss music and see what happens. It wouldn’t be pretty

Maybe that is the point of pop punk? It is supposed to be pretty and disarming simultaneously?

Maybe not?

Hot Pink Paralysis is the new single from Wellington Nu Punk (wasn’t nu metal bad enough?) outfit Holloway Holiday. I have had it on repeat in my lug-holes for the past hour.

That means I have heard the song around 18 times. Am I “happy to be alive in this strange world?”

Maybe?

It is a strange world where punk and pop mix but Holloway Holiday do it well. There is a lot going on in the 3 mins + that each run through takes and the keyboard hook is the thing that burrows into my head the most.

Lyrically there is a lot going on, and if you can get past the robotic get up and dance rhythm the lyrics are where we see the human side of Holloway Holiday. There is depth, there is contemplation, reflection and it connects with me (almost).

The issue I have with pop punk songs is there is a message, an anger and an energy, but it gets put through a throwaway pop blender which waters it down to background music

It is just my opinion and if you want a Chemical Romance that leads to a Fall Out with a boy/girl ultimately ending in an All Time Low then Holloway Holiday are the band you need in your life.

They just might make you smile but never forget anger is an energy.

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About the author Paul Goddard

UK-based music fan and singer who used to live in NZ and was the vocalist with NZ-based band Garden Party Riot. His love of music led Paul to own his rehearsal studio in the UK and NZ, managing and promoting bands and putting on gigs. Paul has recently launched his Music Saves merchandise brand, with split profits going to the Music Venue Trust, which supports grassroots venues in New Zealand, Australia, the UK, and the USA. Paul continues to attend numerous gigs in the UK and also writes for the Oxford-based Nightshift Fanzine.

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