Haven’t heard of An Emerald City before? That’s OK, I’m here to get you acquainted. Formed in 2005, with an EP and debut album already under their belts, the six-piece German based band have just released their second full-length album, The Fourth and recently returned home to New Zealand for a nationwide tour.
From the get go this album has a welcome-to-the-carnival atmosphere with the first track B31, slowly melding into a space odyssey theme. The easy-going melody lilts along until crisp drumming in a jazz/break-beat style slams into it like a machine gun. The guitars chime in, developing the song into a broad and uplifting experience. Although the musicianship is tight, there’s a certain chaotic quality going on, which I really like. You never quite know what to expect, giving the sound both originality and a feeling of freedom.
An Emerald City’s sound is big, all encompassing and reminded me of Isis. Their 1970’s psychedelic stoner rock inflections are also similar to Kyass, (without so much grunge) while Celtic and African influences give the sound a lovely worldly vibe. But that’s where the comparisons end because this band is completely unique. With monumental and sometimes scary sections building on repetitive but engaging dynamics, the marvellous instrumental music grips my ears in audio ecstasy.
You can tell An Emerald City has worked hard on their second album, creating a cohesive and clever little eight-track gem. Recorded in a former communist radio station in East Berlin, The Fourth is a step above the bands critically acclaimed debut album Circa Scaria, which was recorded in the great cave at Whatipu on the West Coast. It appears that An Emerald City has really come of age after their tumultuous European tour with The Datsuns, Beirut and The Veils in 2009.
Variations to their alt rock theme throughout this album take the form of Indian scales using a vast array of instruments from conventional to the unknown, like a darbuka and Persian long necked lute. The ingenuity of their music lies in an underlying sweetness and laid back Sunday afternoon feel while retaining a danceable up beat tempo. Engineering and mastering is simply superb, bringing that live feel right into your living room. The polished yet unrefined sound is surely the essence of what quality music is all about.
The last track Casual Encounters is my favourite; the beautifully slow but powerful tempo and mellow undertones, while the guitars work their magic, is simply wonderful! An Emerald City’s clever melodic sensibilities and multidimensional soundscape make this album a healthy addiction to have!
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About the author River Tucker

Hi, My name is River, and I’m a music tutor, multi-instrumentalist (mainly playing drums), and freelance graphic and web designer from Aotearoa, New Zealand. Over the years I’ve worked in numerous bands playing styles ranging from jazz and ska to grunge and metal. I’ve also recorded and self-produced a number of releases consisting of original compositions. This experience, along with an inherent appreciation of music, has helped with my ability to review music for Muzic.NZ. The landscape of our music scene in New Zealand is rich with potential, yet often overshadowed by underutilized talent waiting to be discovered. As a reviewer, I’ve enjoyed the opportunity to highlight some of these emerging voices, which has provided me with an appreciation of the diverse musical tapestry that Aotearoa has to offer. Writing reviews is my way of promoting some of that musical talent to a local and international audience. By inspiring the
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