Here we have the latest single from Wellington-based melodic hard rock quartet This Silent Divide, entitled Beautiful Creature. I really enjoyed their Tall Stories EP, and they played a great gig at Dead Witch towards the end of last year, and this would have been recorded at about the same time. However, since then bassist Peter Stitt has left to be replaced by Jonatan Jaworski, while the rest of the line-up is still Shaun Jones (vocals, guitar), Kieran Williams (lead guitar, backing vocals), and Sunil Jolly (drums).
This Silent Divide have an anthemic approach to their music, and they often remind me of the mighty Dead Favours or Nickelback in that the vocals are melodic and clear, front and centre, while the harmonies bring in the listener and then the chunky guitars ensure we understand this is a rock band first and foremost.
The solo over the top is more of a new melody as opposed to a shred, taking us to the bridge and then we get a nice build to a climactic chorus. Lyrically this is a commentary on people’s desire to write-off and punish flawed individuals who lash out when pushed past their limits. Musically there is plenty of space between the different layers which allow us to hear the delicate cymbals which add a touch of class to the crunch, and it is nuances like this which lift this above the norm. As with Lucinda, they have again produced a neatly polished single packed with hooks and energy which is going to turn into a monster when played live. I can’t wait to hear that.
About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
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