Single Review: Your Heart of Gold
Matt Joe Gow & Kerryn Fields
Here we have a brand-new partnership from two artists who have already made names for themselves performing solo, and although they are both proud Kiwis, they have each won The Music Victoria Awards. Even though Matt Joe Gow only released his latest album a few months ago, this new partnership is already touring the country performing songs from their catalogues as well as new ones they have been writing and recording, of which this is the first. Acoustic guitars, drums, bass, mandolin, violin and accordion all combine to create an accompaniment which is both wistful and dynamic, laid-back, but with just the right amount of strength to provide the perfect foundation for the singers.
Both Matt and Kerryn are very highly regarded in the world of alt-country, and here they trade verses with each other in a very relaxed manner. Neither has anything to prove, they are comfortable in their own performances, and consequently there are no egos at work as instead they sit back and invite us warmly into their world. When they are both singing then it is the broad baritone of Matt which is the lead, with Kerryn harmonising, but she is the one who starts this song itself, inviting the response from Matt.
Your Heart of Gold is a very easy song to get inside, with a basic drum and bass in simple 4/4, with allowing the other instruments to follow the melody or add nuances, with the violin being allowed to wander where it will, but always bringing us back to the vocals. I feel myself very lucky to catch them in concert the other week, and based on this I can’t wait for the album. For all lovers of country music.
About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
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