One may be able to discern from the title that the latest release from Roulettes (they dropped the “The” a while back) is taken from a series of demos and home recordings. Since forming the band in the early 2000’s there have been some additional musicians here and there, but the core has always been Justin McLean (guitars, vox, bass, piano and drum sequencing) with Ben Grant (bass, vox, drum sequencing, synths, and mixing). It is hard to understand that firstly this is the work of a duo, as it sounds like a full band, and the fact that they not only were never in the same studio together, but both recorded independently at home, one in Auckland, NZ, and one in Hanoi, Vietnam, just blows the mind.
One can imagine this album actually being released on a label such as JAM Records, as this is solid power pop with hints of psychedelia and more than the odd musical reference to the mighty Todd Rundgren, yet somehow also having an indie bent which makes it feel all that much more real. 11 songs, 32 minutes in length, this is a collection of songs where each one would work incredibly well on the radio, packed full of hooks, great vocals and harmonies. As with their last EP, there is a tribute to Andrew Brough (Straightjacket Fits) who passed away last year, as while he was Justin’s stepbrother, he was also a mentor to both Justin and Ben when they were in Funhouse. They have recorded two of his numbers in Whatever Comes To Mind and Something’s Changing, with both songs given their own treatment so that they fit in neatly with their own material.
At times they come across almost like The Beatles, at others there are hints of The Byrds, with pop numbers which sound as if they are more like passed by classics of years gone by as opposed to brand new recordings. At times there is a lo-fi element to the songs, as such as on Fading Sun, yet this is obviously a deliberate effect with riffing U2-style guitar in the background, as at others they are bright and in your face. One cannot help but play this with a smile on the face as it is music without aggression, songs which are easy to listen without ever becoming easy listening, and just so much fun. This is an album which will come to life in the summer, played on the beach, where people just want to party.
This really is a wonderful power pop album, and anyone who enjoys that genre of music will get a great deal from this.
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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023

Single Review: Love and War

Single Review: All This Time

Single Review: Sons of Savages

Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023

Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023

Single Review: Beautiful Creature

Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023

EP Review: Bridge City Crew

Single Review: Your Heart of Gold

Single Review: The Strangest Dream

Single Review: No Funeral Blues

