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Single Review: Baby Beat

Aro

Review by Kev Rowland // 8 March 2021
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Single Review: Baby Beat 1

Any parent will say that the feeling of hearing their baby’s heartbeat for the very first time is an overwhelming experience, but there cannot be many who turn that sound into the basis for a song. Less than three weeks after their appearances at Auckland Folk Festival, Charles and Emily Looker celebrated the birth of Olive Koanui Terangioteata Looker, who took the words of the chorus, “kaua e aukumea” (don’t take too long) to heart and appeared three weeks before due date. To celebrate that momentous event Aro are releasing this single on what was supposed to be the birth date, March 11th, but it appears that Olive just did not want to wait.

Aro were one of the highlights of that festival for me, with their wonderfully intertwined vocals combining with acoustic guitar and Emily creating some live vocal loops and harmonies. Baby Beat starts life with just that, the ultrasound of Olive’s heartbeat, something both strangely organic and restful, yet also hypnotic and almost synth based. This sets the tempo and style for the accompaniment which is more electronic than what I generally expect from them, with their wonderful voices cutting through and providing incredible contrast between the different styles. They sing about their love for their child, and what they want to say to her when she is born, and it is all incredibly personal. We are being allowed into the inner sanctum of soon-to-be parents and they have poured all their love for Olive into this song, and it is there in every note.

The verse is sung in English, with the chorus in Te Reo, but no matter the language, this song is all about emotion and love, wrapped up in a song that is incredibly effective as they push their folk stylings far more into the pop arena. It is an absolute delight which makes me smile each time I listen to it, and it reminds me of what was going on in my life at the time of the birth of my own daughters and how that made me feel. I am sure each parent will be taken on the same journey, and for that we should all be very grateful indeed.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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