Single Review: Lights Out

James Kohler

Review by Kev Rowland // 7 December 2022
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Single Review: Lights Out 1

As a rule, I read press releases after I have been listening to the music, but as well as Lisa sending me this to review, I was also sent it today by the PR company and I read that email before I realised it was on my list. However, my interest was already piqued as James Kohler is described as an “independent prog artist”. Now, while those in NZ who can be bothered to read my scribblings will think of me as someone who has an opinion on pretty much anything musical, people in the wider world will think of me as a specialist in prog rock as that has been where I have been spending much of my writing career over the last 30+ years, and there are probably only a handful who have written as much on the underground scene as myself.  

I have no idea about the rest of James’s output, but I can safely put my hand on my heart and say this is not prog, and given what most of the music-buying public think of the genre that is a good thing, as what we have here is a modern rock number channelling Neil Young, which is simply excellent. It is only a fraction over 2:30 in length (a giveaway that it is not prog), but it is perfectly formed with some wonderfully layered guitars, nice bass runs and melodies, solid drums, and harmony vocals when they are needed. James’s voice is lower than much of Young, but there is something about this song which means one can imagine him performing this with Crazy Horse. It is stacked full of passion and emotion, and leaves listener wanting more, much more. We get some nice noodling guitar near the end, when we have a nice wall of sound with different sounds being utilised, and his voice over the top before it ends quite neatly. I am certainly keen to hear more of this country/grunge number which could easily have come out more than 20 years ago and feels strongly American. Nice.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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