Single Review: Magnetism

Michael Signal

Review by Kev Rowland // 25 May 2022
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Single Review: Magnetism 1

Now, I must confess to being as much a fan of short song as I am of long ones and given how much I listen to Napalm Death that is probably a good thing. But all short songs I know tend to fall into one of two camps, in that they are either complete in their own right (and are generally brutal), or are introductory tasters for a longer piece of music and I cannot help but feel that what we have here is the latter and my only complaint is that it stops after 90 seconds and I feel somewhat bereft. The first time I played it I had not realised how long it was and stared at my phone wondering what had happened. I then decided the download must have been corrupt somehow so went off to Soundcloud where I confirmed yes, this was only 90 seconds long.

I can only hope Michael is planning to release an album, or at least an EP, in the near future as this entrée is simply wonderful. A guitar instrumental, it starts gently enough, and then we have layers of electric guitars building the sound before it is allowed to fade and a picked 12-string acoustic comes in to complete the song, but then it is over! There is a depth and precision within this which totally captures the listener, but the spell is broken and it is over way too soon. This is a solid composition which is beautiful and leaves the listener wanting more, much more, and I sincerely hope that is rectified soon.

Ed’s Note: Magnetism will feature on Michael Signal’s upcoming 2022 instrumental guitar album.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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