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Single Review: Outrun The Rain

Ekko Park

Review by Kev Rowland // 5 May 2023
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Single Review: Outrun The Rain 1

I first saw Ekko Park many years ago, but in the last year or so I have managed to see them a few times, and my only question to myself is why have I not been following them around? Drummer Nick Douch has a solid style, and he understand the importance of not playing, as much as playing (the introduction only has a kick drum), which is a rare skill. Bryan Bell has worked with singer/guitarist Joe Walsh for years and they have developed a musical relationship where Bryan is always there providing the support or additional melody, whatever is required, while they have discovered the perfect missing piece in guitarist/singer Jessie Booth who completes the sound on the other side of the stage. Outrun The Rain is their newest offering.

Add incredible melodies and pop hooks to what they are doing, and the result is a much cleaner and enjoyable version of The Wildhearts, using rock instead of metal as a base, but still with so many pop hooks and styles it hurts to have them mashed together like this. All one wants to do when playing it is dance, or sing, or punch the air, as this is a real banger yet somehow, they also manage to fit multiple sections into a song which is less than three minutes long! Joe has a voice which is both clear and edgy, Jessie provides some smoothness and they combine together to bring this song home which ends with just vocals, the music having faded away. My #1 EP for 2021 was Ekko Park’s UnMute, and I can’t wait to see what the rest of 2023 is going to bring, as this is awesome.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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