Age of Destitute are a new band formed by Rezwan Ashraf (vocals, lead guitar) and Sammy Iqbal (rhythm guitar, bass). The duo are both originally from Bangladesh, and only met by chance here in New Zealand, and were soon jamming and trying out different ideas. They say they are inspired by Pink Floyd, Led Zeppelin, Iron Maiden, Metallica, Dire Straits, Dream Theater, and multiple shredders, but in this single the listener would be hard-pressed to find any metal. Instead, what we have is a languorous trip, with vocals front and centre, alongside some guitar licks which are very reminiscent of Gilmour and possibly Knopfler. There are some drums, keyboards, and piano to extend the sound, but for the most part this song relies on vocals and the melodic underpinning bass, which is way more to the fore than what might be expect.
There is an understated confidence in this single, which brings together elements of crossover prog, rock, soul, and pop into something that is languid and gentle, although always effective. For some reason I had it my mind that given the name this was going to be a hardcore punk band, but nothing could be further from the truth! This is all about slow consideration, no need for brashness and over the top energy. When Rez allows himself a simple solo, it becomes a soundscape, and he sits in the pocket of the music, never driving through but allowing himself to be gently taken along.
The EP is due out at the end of May, and it will be interesting to hear if the rest of the material is like this or if they do allow themselves to rock out a little more, but as it is this is a very pleasant single indeed.
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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023

Single Review: Love and War

Single Review: All This Time

Single Review: Sons of Savages

Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023

Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023

Single Review: Beautiful Creature

Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023

EP Review: Bridge City Crew

Single Review: Your Heart of Gold

Single Review: The Strangest Dream

Single Review: No Funeral Blues

