Single Review: You, The Sea and I

Anderson Rocio

Review by Kev Rowland // 26 April 2023
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Single Review: You, The Sea And I 1

One never knows what quite to expect from Anderson Rocio, as she keeps changing her style, so while one can always be guaranteed a wonderful vocal performance and nice melodies, how will they be presented? I have seen her perform sitting at a grand piano accompanying herself, while her last EP was far more rock based, and now here we find her on another journey. With You, The Sea and I she is taking with an accompaniment which for the most part is a picked acoustic guitar and a few well-placed notes on the piano to add the nuances. This is a very personal song, and one feels we are being let into a very personal space.

Gentle orchestration and some percussion comes in for the chorus, but the simple arrangement and delicate harmonies allow us to concentrate on the words and emotions from Anderson who takes this gently with no rush, as we fall into her world. When music is as stripped back as this there is no room for the artist to hide, with a very slight reverb on her voice the only production trickery in sight. It is one I recommend playing on headphones, if possible, as I have, as there is a depth here which only really comes to light when is fully immersed in the experience. Yet another delightful release from Anderson.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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